CROSSING: 2036, 4min., USA, Action/Sci-FI
Directed by Max Kleinman
After a long journey through the desert, a young woman finds herself suddenly alone, and in the enemy’s sights.
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Basically, I am an Architect with a cinematic background as i worked as a “Photographer, Cinematographer, Assistant Director, Art Director, Set designer”, and took a directing and cinematography courses to finally follow my passion as a director
How kids are strongly affected “psychologically and emotionally” by their parent’s actions, and the whole environment around them!
EPIPHANY “A moment of realization”
It all begins while the 11 years old main character is lying down alone with his childish and emotional imagination on the floor waiting for an unrecognized punishment from his father while locking him up in a room.
– We can see clearly the conflict between his “psychological thinking, feelings and thoughts” and his “real emotions” from his point of view about his future if he grew up in the same environment!
– There is an unstable relationship between his aggressive, careless and irresponsible father “who’s always drunk and careless about his own child and family and how that behavior will affect the whole family environment”, and his poor mother that has the opposite attitude/personality.
– But unfortunately, his mother took the easy way, first to get out of her problems and miserable life and the more pressing reason is that she can’t even think about the idea of her kid growing up in such environment to end up just like his father, to start another loop of another depressing life.
– How the main character ”the grown-up” seeing flashbacks through his point of view and how he changed through the time jump that happened in the film “shown in the scenes” to be even worse than his careless and irresponsible father, and getting deeper and deeper until he finds himself in the deep bottom, then we can see the transition between the time jump for the character with a surprising and self-denial look while his father is locking him up in a room and closes the door on him, that moment let him think about the whole thing again but this time with another point of view.
– So, the scenes begin to reverse to show the opposite side of the story, and in some scenes we can see the other point of view for some situations between the kid’s parents. To finally see how everything changed in the main character’s mind and to see him looking directly into your eyes with “A moment of realization” look on his face.
It’s an open ending film, The idea here is to make the audience ask questions, like:
– Is it just a glimpse for the main character’s future under the influence of his environment while he is getting lock up by his father?!
– Is that all already happened and the main character “the grown up” is just remembering some flashbacks from his childhood that led him to be that kind of person?!
– What happened next?!…etc.)
Traveling with a baby is an interesting thing. They add all sorts of challenges to any trip you do. Long flights, strollers, nap schedules, and car seats all seem to pile up and complicate what is supposed to be a relaxing vacation. Sometimes, you may even find yourself wondering…is all this effort worth it for a baby who won’t even remember the trip? All these experiences and memories will eventually disappear, like a fading dream. So is it worth it?
Sofia’s career path and her background provide a unique segue into the film business. She was born in St. Petersburg, Russia, and started working in theatre at the age of 14. She has worked virtually every backstage job. Her career developed quickly and by age 25, she had already produced and directed a number of theatrical productions in some of the most prominent Russian theaters. She then accepted a position to head the Production Department at the Mikhailovksy Opera theatre, the second biggest opera house in St. Petersburg. She has worked internationally in some of the most prominent theatrical venues including the Metropolitan Opera (NY), the LA Opera, the Mariinsky theatre (Russia), the Coliseum theatre (UK) etc. and has directed one of the best selling musicals in St. Petersburg (“Master and Margarita”) as well as other successful shows. But when Sofia moved to Los Angeles she discovered a new passion – for filmmaking – and decided to start from scratch. She received 2 diplomas of excellency (Producing and Directing) at UCLA. Her film “The Gift of the Magi” (written, produced and directed by Sofia in 2018) received immediate attention by the creative community and has already won several awards. Sofia is a member of AGMA, Alliance of Women Director and Women In film. In her free time Sofia produces and directs festive and theatrical events of all kinds and scale.
During a routine health check a doctor discovers that there’s something terribly wrong with his patient….