Eight-time Grammy winner Usher Raymond penned an impassioned and informative essay in the Washington Post today arguing that, while the Fourth of July should be celebrated, for black people “Juneteenth is our authentic day of self-determination. 21 more words via Usher, Pharell, Taylor Swift, Lupita Nyong’o And Many More Call For Juneteenth To Be A National… Continue reading Usher, Pharell, Taylor Swift, Lupita Nyong’o And Many More Call For Juneteenth To Be A National Holiday — Deadline
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LL Cool J On Juneteenth, “Policing Bad Cops On TV,” George Floyd’s Death As A Catalyst & The Power Of Old-School Hip-Hop — Deadline
The lyrics “Don’t call it a comeback/I’ve been here for years” from 1990’s hard hitting Mama Said Knock You Out album are rolled out almost every time LL Cool J gets in the cultural ring. 22 more words via LL Cool J On Juneteenth, “Policing Bad Cops On TV,” George Floyd’s Death As A Catalyst &… Continue reading LL Cool J On Juneteenth, “Policing Bad Cops On TV,” George Floyd’s Death As A Catalyst & The Power Of Old-School Hip-Hop — Deadline
A World of Film’s Top 10 of 2016 — A World of Film
2016 was jam-packed with controversy and conflict. No matter what side of anything you were on, I think the year could most appropriately be described as a never-ending fight between ‘hope’ and’ regret’. This, I feel, is reflected within my list of favourite films from 2016; some hold a deeply troubling vision of the future, […]… Continue reading A World of Film’s Top 10 of 2016 — A World of Film
Mulholland Drive (2001) Eric Norcross — A World of Film
When I first saw Mulholland Drive at a second-run theater in downtown Portland, Maine, I hated it. I was angry that it existed. How could anyone finance this thing? I was right out of film school and as a result I had been blinded by the false idea that films had to flow at a […]… Continue reading Mulholland Drive (2001) Eric Norcross — A World of Film
Broken Silence: The Acoustic Language of Sound in Cinema — A World of Film
I recently completed a dissertation focused on sound in cinema via the films of Fritz Lang. The first chapter is a literature review which attempts to establish a historical and theoretical foundation of the topic, my work on Lang’s cinema then picks up after this. Take a look at my essay thesis below, and, if… Continue reading Broken Silence: The Acoustic Language of Sound in Cinema — A World of Film
Top 10 of 2017: #10 – Star Wars: The Last Jedi — A World of Film
I normally don’t place mainstream franchised films on my top 10; there’s something about them typically that feels oddly staged, overworked, and coldly calculated. via Top 10 of 2017: #10 – Star Wars: The Last Jedi — A World of Film
Top 10 of 2017: #9 – Baby Driver — A World of Film
I personally don’t have a huge history of re-watching the films of Wright, but it’s impossible to say his films are never engaging. via Top 10 of 2017: #9 – Baby Driver — A World of Film
Top 10 of 2017: #8 – Good Time — A World of Film
Good Time is a dark, grimy, and aggressive film filled with horrible people out for one thing and one thing only … themselves. The film has little heart, zero hope, and next to no sense of consequence or redemption for anyone. Yet, I have to say that I was fascinated at every minute of its… Continue reading Top 10 of 2017: #8 – Good Time — A World of Film
Top 10 of 2017: #7 – The Shape of Water — A World of Film
The Shape of Water is a film I’ve struggled with a little since first viewing. I normally judge a film by how much it made me smile, not necessarily through finding it funny, but through how much the art reminded me of why I watch films, why I love cinema. During The Shape of Water, […]… Continue reading Top 10 of 2017: #7 – The Shape of Water — A World of Film
Top 10 of 2017: #6 – Lady Bird — A World of Film
“However, above all, it’s a film about relationships with family members, friends, and loved ones, their power to provide warmth and comfort, but also their ability to be absolutely infuriating” via Top 10 of 2017: #6 – Lady Bird — A World of Film